Unit X | Designer Research

During our tutorial last week Louise suggested that my drawings would work best as a strong placement print. I did some research on designers and placement prints to collect ideas on where and how they might be placed, before I start experimenting with my own designs.

I took a liking to three collections in particular; Tom Ford SS14, Holly Fulton Spring 11 and KENZO SS14.

I like these three collections in particular because of the shapes and drapes of the fabrics. Also, Tom Ford and Kenzo are largely black and white in colour, which makes them really relatable to our work.
Tom ford's collection in particular relates well to my concept of bandages with the lines incorporated in the print. I love the drape in the fabrics Holly Fulton used and the structure of the garments in the KENZO collection.

Unit X | Digital Editing

Although we aren't supposed to produce digital prints for this Unit, I still want to be able to play to my strengths. Which is why I am choosing to digitally edit my designs before putting them onto a screen to be screen printed.
I'm not sure whether my drawings would be best as repeat prints or placement prints, so I decided to experiment with both so that I can see the designs full potential before putting it onto a screen.

Reducing to one colour edit

Quick Repeat edit

Experimentation - placing drawings together as placement print

Overall I am happy with the experimentation and development that I have created by taking a digital route. After showing my work to Louise she really took a liking to the design above, which is simply an edit of my original drawings. This would definitely be a strong and effective placement print. Next, I plan on experimenting with ways of engineering prints, possibly through using a projector or pinning paper copies to a mannequin.

Live Brief | Bradford Textiles Final Boards

I created development samples for the Bradford Textiles Association brief in order to see which print with which beading I should print as the final design. There was a clear favourite between me and several other people who saw the boards which made the decision very easy.

Here is the final main sample with the two boards I will be submitting with my application. I am pleased with what I have produced for this brief as it isn't what I normally create. I've never designed for interior or used embellishment on any samples before, however I think it has been successful. I do think this would make a nice cushion for a sofa or bedding arrangement. The 9mm Silver beads don't stand out too much but look really lovely when they catch the light. Overall I am happy with the outcome of this project.

Live Brief | Bradford Textiles Development

Another live brief I decided to have a go at is the Bradford Textile design competitions. I am submitting a design for the 'P2 Prestigious Textiles Award' which requires a printed textile design for interiors. I want to attempt an entry for this award in particular as I have never experimented with interiors, I have only ever focused on fashion. This is a good opportunity to have a try as in Unit X I have chosen to continue with a fashion-focused option.

I'm going to make use of the prints I already have from my self-initiated brief and alter them to fit the live brief, meaning I needed to put them into repeat. I was sceptical about how they would look in repeat however when I created them I really liked the results. I like them that much that I chose to include them in my self-initiated brief as well.

After putting the prints into repeat I started to place them onto curtains and cushions to see if they look like a realistic interior print. They turned out quite successful, however I don't think the curtains work as well as the cushions. I particularly like the cushions because I can see them being part of a collection of cushions in the middle of an otherwise plain bead spread, or something in that ball park.

 

The brief for the Prestigious Textiles award says that embroidery can be used. I took embroidery for a unit last year and have thought about mixing the two specialisms before but I have never physically done it. I have felt really experimental this unit as I want to really push myself and find out what I can do before L6. Because of this I thought why not try out some embroidery on top of the print? The idea I have in my head is to create a statement cushion that would be used for decorative purposes.

I wanted to try embellishing/beading on top of my prints, because I don't think just a stitch would stand out enough against the busy backgrounds. As I've never used embroidery and print together I've never had to find the supplies before. I researched fabric and haberdasheries around Manchester to make a go-to list; Fred Aldous, Abakhan, Affleck's Palace, Hobbycraft were a few. I visited Affleck's Palace before heading to Abakhan where I found exactly the beads I was after. Due to the amount of colour in my prints already I felt the need to keep the beads more toned down and neutral. I went for Clear, Gold and Navy beads.

 I am really happy with the development samples, the beading looks better than I hoped it would. In particular, the use of the long bugle beads was really effective and went well with my prints. For the final boards which I will submit with my application, I am going to digitally print a 30cm x 30cm square of fabric and embellish it to give the appearence of the final cushion.