Drawing and Contextual Research

This week I started drawing from the photographs I collected over summer. I like how the drawings have turned out however I want to create a larger library of work that I can keep developing all the way through. 

Below are two images that originally are separate drawings, however I then took them into Photoshop to edit them together. I have found that taking my drawings into photoshop allows me to enhance them without losing the textural quality they have.

I personally like the contrast of the messy distorted drawing with the clean and precise lines of the black and white image. Pairing these together relates to my concept as before something is distorted by glass it appears clear and detailed.
I have always liked collaging as a creative direction and I love experimenting with placement and layering of images. I took to Pinterest to find some more inspiration from artists, but also from designers so that I can get a sense of where these types of prints might fit contextually.

I am very fond of the work of Tracie Cheng. She places thin and detailed line drawings on top of rustic painterly backgrounds, which I think works perfectly. I want to experiment with layering in this way with my drawings.
I also found these garments from Clover Canyon. The reason I like these is because the black and white lines and geometric shapes are placed with much more graphic and colourful images. Again I want to experiment with this in my work and also play around with colour.
In terms of contextual direction, I aim to design garments for High Street consumption. I'd like to design for this market because I like the idea of creating something that can be worn in everyday lives and isn't over expensive.

Summer Work 2015

One of our tasks for this summer was to come up with a concept/theme to start working from. I found an artist called Russell Tomlin. He is a photographer who is fascinated by water in its different forms. Particularly flowing water.

Russell's work inspired me to think about distortion as a theme. I further researched the topic and took a liking to distortion through glass, as it is unpredictable and unusual. I feel I could take this concept into different directions throughout the project and create very different prints and designs using the same visual research.

As part of my summer work I teamed up with my friend Lucy Fraser (@lucyfraserart : Instagram) who attends Northumbria University, on a collaborative photography project. Taking pictures of everyday objects through a shaped glass provided us with distorted imagery to work with. I really like the photographs, in particular the most abstract ones.

These are some of our photographs inspired by Russell Tomlin.

We also took inspiration from Kalliope Amorphous who distorts images of people.

Researching artists before we took photographs allowed us to plan what we wanted to achieve during the shoot, which made it more succesful overall.

We generated a vast amount of photography to use as visual inspiration in the coming project. One possibility to explore is to take my research in two directions, into faces and also into abstract shapes. I think it will be interesting to see how these go together or can be used separately to create prints. Although we collected a lot of photography I plan on reworking this and continuing to use photography throughout the project.

Unit X | Final Collection

Our presentation to Tom went well last week, and the main point to improve on was the presentation of the samples, and to provide pictures of the knits as they are too complicated to draw. We were really happy with the feedback we got from him and the other groups.

Now that the group work is done we had a week to focus on our individual projects. We have continued to work together in the studio to help each other out until the deadline. Me and Pipp have been taking advice from Nicole on things we haven't had to do before, like garment flats, breakdowns of each design and other things we need to create a final collection file. I'm glad we have had this unit to learn things that are needed to design for the fashion industry, such as technical drawings and range plans. I feel like learning these skills is going to benefit me in future units.

I finally put together my final collection. I made decisions based on people's opinions and I also tried to incorporate as many of my best samples as I could. I wanted to make use of both my print and embroidery samples so that there was a mix of texture through my collection. 

I am happy with the way my collections looks, however if I could go back and change one thing it would be to be less safe with my designs. As this is the first fashion unit I have done I was focused on the new processes we had to do. In the future, I would like to me more experimental and out-going with my final collections. 

Unit X | Group Presentation

This week we have been working on the group collection for the presentation to Tom from James Long.

Although we have been going into the studio and working around each other while we talk through ideas, we have been working on our own collections, just keeping links between them. Our drawing styles really vary so we worked together to create 12 final garments that incorporate everyone's designs.

We all sat and decided on what outfits we were going to create before drawing them out. This really helped us to not throw garments together for the sake of it, and we thought a lot about placement, colour and texture. Elle and I drew the garment shapes, then each of us filled in the area which was taken from our designs. This worked really well for us as our drawing styles came together successfully without the job being left to one person. I am proud of our final line up and I think we worked really well as a team.

Unit X | Starting to Design

This week we started to take our ideas and turn them into actual designs. Me and Pipp are used to just sampling fabrics and materials, so this is another step further for us. I have previously experimented with placing prints onto very plain and basic garments however I haven't yet designed my own in such detail.

I really enjoyed designing different outfits. I started by drawing templates in order to put in different prints in different places and experiment with placement and tones. During our tutorial with Louise, she told us about range plans and showed us Prada 14 as an example. The collection followed a certain set of trends or elements and injected them into various different garments. For example, they repeatedly used large faces on their designs, imitations of bra shapes on the chest and sports trims. 

I tried to keep this in mind when creating my own designs. I wanted to keep our concept of martial arts in mind at the same time, so I decided to repeat these elements; cross over v-neck, cinching at the waist, culottes, various fabrics wrapped around the body and sheer fabrics. I chose each of these based on martial arts uniforms such as karate jackets and kickboxing shorts.

Unit X | Print Room Experimentation

This week me and Nicole went into the print room to start creating samples. Overall it went really well and we have come out with some really good samples. I plan on embroidering into the ones that didn't work as well or cutting them up to stitch together or pin tuck. 

Before I started printing I did some plain embroidered pieces with the intention of printing on them. The inspiration for this came from Eleanor's workshop on the french technique entre deux. They helped to create a different texture which looks really nice in certain places. Also, the pigment changed colour very slightly on the varied fabrics I had stitched together, I think this is quite interesting.

In order to tie our work together and experiment with the specialisms, Pipp made us some plain and pleated knits to print on. These also created a really nice texture as the pigment was only applied on the highest points of the knit. I think the mix of the two specialisms was really successful and created some great samples.

The rest of my samples were on plain previously dyed fabrics. I experimented with different weights and thickness such as Suede, Chiffon, Voile and Organza. I tried to vary the amount of print on each fabric, the colours used and the process used. I also tried various techniques such as foiling and puff binding and pigment printing. Overall I am really happy with the two days we spent printing and I am pleased with the motifs I chose to use, as they were very flexible and easy to manipulate.

Unit X | Fashion Collage and Muse

We've had several workshops since Easter with Sarah, which have been focused on fashion illustrations and collages. The first thing we had to do was pick a muse to aim towards and take inspiration. The muse we chose is the lead character of the film 'Stick It'. She is a boyish personality with a lot of attitude and opinion, but also has feminine features and is pretty. This is the mix that we have been trying to achieve in our collection. 

I started by sketching different images of her facial expressions to work and collage from.

 The next step was to collage together some illustrations, trying to locate where different textures might be on a garment or what different pieces might be made of. I particularly tried to work on print placement and scale, using the photographs from the projector work really helped with shape too. I think these went quite successfully considering I've never done them before and felt a bit lost to start with. I realized the trick was to not think about it too much.