Friday 20 November 2015

Colour Palette and Screen Print

Throughout the project I have mainly stuck to the pink and blue colour palette in my prints, however I think this has become a bit tired and overpowering. I looked for new colour palettes to experiment with by taking colours from my own summer photography and also colour palettes I found online. I definitely feel like this colour change is important for me because this could be one of the reasons I am stuck with my prints. I really want to experiment with a wide range of colour in this project as I have been inspired by Clover Canyon and Prabal Gurung.

Another reason why I decided to alter my colours was because I had a colour workshop with Alex. During the workshop I also found out that it is best to have both screen and digital printing in your portfolio for third year. I mainly see myself as a digital printer, however I also really enjoy screen printing and don't do it as much as I would like. I had only set myself the goal of producing digital prints this unit, however I have now changed my mind and would like to achieve more if possible.
One idea I have been playing with is engineer designs to incorporate both processes onto one fabric. My dissertation research lead me to a designer called Emamoke Ukeleghe, who uses both screen and digital on one print purposefully. I find the idea of having a digital element in a screen print really interesting, especially when it has been engineered to do so.

I am now going to design my prints with the intention of screen printing certain elements. I want to be able to show that I can also work with a limited colour palette, as well as having skills in both screen and digital printing. This will provide myself with a challenge for my final project as well as enhancing the portfolio I take with me when I graduate.



Saturday 14 November 2015

Further Development

Feedback from my presentation included the idea of further distorting the prints I have created already. I decided to do this in the same way in which I distorted the original lines; compression, folding, and as I had samples digitally printed onto fabric, I experimented with draping. I decided to do this using photography as it worked for me so well at the beginning of the project.

I believe re-working my prints was successful because it provided me with a lot more to work from. I have kept on drawing throughout the project and distorting these as I go. Something I hadn't tried already was distorting my images digitally rather than physically. Alex told me about a tool in Photoshop called liquidize, where I can pull parts of the image to distort it. I really like this tool and what it does to my drawings, I think it gives some of the distorted grids a more 3D feel which I like although I hadn't anticipated it.

 I came across an artist called Yvonne Hindle. The mixture of colours in her work is really effective and looks similar to the liquidize effect I have been using. In particular I like the way she uses negative space. Sometimes my prints can be very busy and overpowering, looking at Hindle's work has got me thinking I should play with leaving some space blank.

Thursday 12 November 2015

Projection and Garment Research

As I have been very stuck with my designing this Unit, I decided to do some projection onto stand work. This process has really helped me in the past and I felt that it would benefit me this time too.
Rather than aim for actual garments I decided to just create as much drape as I could, so that I could see what draping might do to my prints.
Even though the stand work I did wouldn't be practical for a high street garment, I believe I can still take inspiration from them in order to draw up some more realistic ideas.


I used my projection photographs to play around with illustrations and placement on the body and
I realized I need to look at length, as well as researching what garments I actually want to design. 
Although I roughly dragged and dropped these images, I think they have helped me to decide what kind of shapes I want. I plan on looking further into this and also using these images to help develop my print designs. As I want to make a high street collection I need to make the garments more wearable.